Kimble Rendall J11-15

Kimble Rendall Making a great monster flick – how to use fear to your advantage. Kimble Rendall is a director best known for his work on Bait 3D. He has also worked as a second unit director on films such as I,Robot, Gods of Egypt, and The Matrix Revolutions. Some of...

Jacob Cooney J11-15

Jacob Cooney Mastering the TV Movie Market – How to get your project on the Syfy Channel Jacob Cooney is a writer/director best known for his work on 3-Headed Shark Attack, Apocalypse Pompeii and Blue Line. Some of the highlights from the workshop: Why was Sharknado...

Shant Hamassian J11-15

Shant Hamassian Getting your short genre film in over 100 Film Festivals – Learn tips on how to compete for Oscar Consideration. Shant Hamassian is a writer/director best known for his short film Night of the Slasher. Some of the highlights from the workshop: What...

Kevin M. Glover J11-15

Kevin M. Glover Developing a Unique Monster – Follow this blueprint to give your monster a spice of originality. Kevin M. Glover is an award winning screenwriter, and published Comic Book author. He has optioned a couple of his scripts and currently has a film being...

Michael Lee Barlin J11-15

Michael Lee Barlin Getting Your Script on The Blacklist – Get your work noticed by top notch Studios and Agents. Michael Lee Barlin is an award-winning screenwriter whose latest script Final Journey made it on the Blacklist. Some of the highlights from the workshop:...

Radio Silence J11-15

Radio Silence How to execute a successful Found Footage Film. Radio Silence is a directing team best known for their work on Devil’s Due, Southbound and V/H/S. Some of the highlights from the workshop: Why Paranormal activity and The Blair Witch Project were so...